Thursday, September 19, 2013

My Inspiration Comes From...

Untitled by Barbara Fox, acrylic on canvas

Last month I put everything aside to redecorate my daughter's bedroom. As I removed everything from her walls so that I could paint, I took down a painting that has been a part of her room since she was born. Before that, the painting hung in my retail shop, before that in my office, and before that in my living room. The 90's frame is enough to signal I've had it for a while. It was painted by my friend Barbara. With our Synchroblog topic this month of "My Inspiration Comes From..." it was the perfect time to introduce you to this driving force in both my personal and professional life.

At nearly any given time during my sophomore and junior years of college I had three jobs, including being an assistant to a woman named Barbara Fox. At that time Barbara was one of the longest survivors with her type of metastatic breast cancer. She had been diagnosed in her late 20s and was then in her 50s. Her team of physicians asked her to document her care, as they were curious what might be her secret to survival. That exercise lead her into writing an autobiography.

I have so many stories that I am having a hard time deciding where to start! So I will boil it down into one simple point...Barbara changed my life. Barbara was an extremely independent, confident, vibrant, professional woman. I will always remember her bright pink lipstick, bleached blonde hair and the twinkle in her blue eyes. Now, I know that sounds like such a cliche, but seriously, this woman had twinkle.

For well over a year, I would show up a few times a week, be handed a pile of yellow legal note pads filled with her crazy handwriting that only I could decipher, and enter it into her Macintosh computer. We'd spend the last hour of my time visiting. It was during this time that we really got to know each other and became friends and confidants.

About a year after I met her, her cancer returned. Over that year, more often than not when I arrived, she would say, "let's go on an adventure." I'd drive her up the Southern California coast through Malibu in her red convertible Mustang (again...seriously cliche...Malibu, Mustang...but trust me, this is an unembellished true story) and we'd stop for lunch where inevitably we would strike up a conversation with some stranger. In almost every situation, people went out of their way to give her their contact information, hoping to connect more with this charismatic woman.

She'd speak with anyone. For nearly an hour, she and Patrick Dempsey discussed the merit of green beans in the salad we were eating at her favorite restaurant. She chatted up the parking valets at Johnny Carson's house on the night of his last show, nearly scoring a secret way into his party until their bosses showed up. The employees at her favorite clothing store would hold clothes aside for her until they went on sale. And on Friday nights, she and her girlfriends would go skinny dipping in her pool. Barbara had had a double mastectomy, but she was always, by far, the most comfortable one in the pool.

When Barbara became too sick to go out on our adventures, I would show up and she would hand me an envelope with cash and have an assignment for me. They included going to a movie by myself, sitting down at a restaurant and having a meal by myself, or treating myself to a terribly ridiculous piece of clothing. She convinced me to go out and get a job at a newspaper, I was a journalism major afterall, what was I waiting for?

Part of who I am is because this woman demanded that I respect myself enough to be independent. I hang Barbara's painting in my daughter's room as a reminder to pass on Barbara's independence and love of life. And perhaps through this post, I am able to do so just a little more. 

On a final note, when Barbara passed away, her attorney called and said the unfinished book had been left to me. I struggled to finish it for a while, but I could never recreate her experiences or gain her expertise. But then it occurred to me that the true story wasn't how she lived with her disease, it was simply how she lived. So one day, I hope to write our story, one of a woman at the end of her life, and another at the start of hers. Maybe that day started today.

Create (and live a bit) recklessly today!


PS - So, thanks for hearing me out today! Phew...a little more personal than I normally get and I find it curious how uncomfortable and uncertain that makes me feel. But, I'll return to jewelry in my next post when I show you how to use photoshop to turn your favorite painting into a black and white image that can be etched into texture plates...using Barbara's painting of course!

Please visit the other bloggers this month:

Thursday, September 5, 2013

Inlaying Wire into Wood

Wire inlay experiment #1, Melissa Cable
Brass, sterling silver and reclaimed wine barrel

I am completely enamored with Andrea William's work. Her inlaid beach stones have been haunting my brain. I love jewelry that makes me go "how did they do that!" I let it rattle around in my head for a while and find, almost always, it inspires me in some way. This exercise was born of that inspiration.

I have been playing with wood on and off this year and thought I'd take a stab at inlaying wire into wood. My kids are back in school so once again between the hours of 10am and 3pm I can get some uninterrupted work done.

1. I used a cross cut bur from my favorite bur assortment to carve out lines in the wood, which was a slat of reclaimed wine barrel from the Stikwood assortment I recently ordered. I tried the round, cylinder and flame burs but the cross cut seemed to work best for lines.

2. I flattened 16 gauge wire using a chasing hammer.

3. I inserted 1/8" brass brads (mini hobby nails) into a solderite block and flowed some solder onto each head.

4. I soldered the flattened wire on top of the brads.

5. I used a hammer to gently flatten the nails to harden them and then hammered the wire into the carved slots in the wood.

6. I used 240 grit sandpaper all the way down to 600 to sand the wires flat.

7. The silver dots were made by using a jewelers tap and die and turning 14g silver wire into screws that were inserted into smaller pre-drilled holes in the wood. They were cut short and then the tops hammered flat.

8. The stone is actually a leather compression rivet to fill a hole where I had unsuccessfully tried to inlay a 4mm bezel-set stone. I tried to countersink the bezel but did not leave enough wood for the nail that was soldered onto the back of the bezel.

9. I set an eyelet in the corner to hang it from a chain.

I learned a lot through this process. The wood I chose had a deep, pronounced grain and it cracked at the end of the small wire inlay. It was easily glued using wood glue but I know next time to choose a more compact wood or to stay further from the edges. I also wish I had used 14g wire for the inlay based on the size of the bur I used. While that would mean more sanding, it would have filled the carved lines better. I'm quite sure this is not the last time I'll play with this. One of the things I like best about Andrea's work is the fine lines...they are the perfect contrast to the heavy stones. I'll likely order a smaller cross cut bur and practice being more precise at carving so I can do some finer work. 

But first, it inspired me to spin this into another experiment... inlaying wire into leather. I plan to carve some leather and solder tube rivets onto wire and inlay it into the leather...good thing school has started!

Creating recklessly in a quiet house,